GHØSTKID

TOURDATES
Datum Stadt Location Land Ticket
21/06/24 Saarbrücken Garage DE Buy Tickets
10/07/24 München Tonhalle DE Buy Tickets
10/09/24 Tbilisi Junkyard GE Buy Tickets
12/09/24 Astana The Bus KZ Buy Tickets
13/09/24 Almaty Zhest KZ Buy Tickets
14/09/24 Istanbul Dorock Club TR Buy Tickets
27/09/24 Hannover Musikzentrum DE Buy Tickets
28/09/24 Berlin Hole 44 DE Buy Tickets
29/09/24 Leipzig Felsenkeller DE Buy Tickets
30/09/24 Prag Rock Café CZ Buy Tickets
02/10/24 Warschau Proxima PL Buy Tickets
03/10/24 Riga Melna Piektdina LV Buy Tickets
04/10/24 Tallin Paavli Kulutuurivabrik DE Buy Tickets
05/10/24 Jyväskylä Lutako FI Buy Tickets
06/10/24 Helsinki Tavastia FI Buy Tickets
08/10/24 Stockholm Kollektivet Livet SE Buy Tickets
09/10/24 Kopenhagen Pumpehuset DK Buy Tickets
10/10/24 Hamburg LOGO DE Buy Tickets
11/10/24 Karlsruhe Substage DE Buy Tickets
12/10/24 Nürnberg z-Bau DE Buy Tickets
13/10/24 Budapest Analog Music Hall HU Buy Tickets
15/10/24 Wien Szene AT Buy Tickets
16/10/24 München Strom DE Buy Tickets
17/10/24 Aarau Kiff CH Buy Tickets
19/10/24 Manchester Rebellion UK Buy Tickets
20/10/24 London Underworld UK Buy Tickets
21/10/24 Paris Glazart FR Buy Tickets
23/10/24 Frankfurt Batschkapp DE Buy Tickets
24/10/24 Utrecht Tivoli Vredenburg NL Buy Tickets
25/10/24 Esch-sur-Alzette Kulturfabrik LU Buy Tickets
26/10/24 Essen Rocken Hilft Festival DE Buy Tickets
27/12/24 Köln Essigfabrik DE Buy Tickets

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SOCIAL MEDIA
ARTIST WEBSITE
BOOKING CONTACT

Nanouk de Meijere
PH +49 40-68 89 152 20
FX +49 40-68 89 152 29

ndm@kingstar-music.com

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PRESS INFO

GHØSTKID’s music is a headlong dive into darkness and aggression. It aligns on new paradigms: baring its teeth while keeping a sense for catchy melodies.

GHØSTKID is the new namesake of Sebastian “Sushi“ Biesler (formerly Eskimo Callboy) and a conspiracy of friends and likeminded allies who have come to a riot of their own: Steve Joakim (drums) from Sweden as well as Jan Marco Heinz (guitar) Chris Kisseler (guitar) and Stanislaw Czywil (bass).

The new noise commenced in October 2019 when Sushi picked up a guitar and started writing for GHOSTKID. GHØSTKID wasn’t merely an outlet – it was in his DNA. “I just followed my heart”, he says. At that point Sushi was inspired by a steady diet of Marilyn Manson, Fever 333 and Bring Me the Horizon, all of whom inspired him to meld together sundry sonic shades, touching on pop, metal, industrial and a hint of trap. It was the foundation for the shape of rock to come. No mean feat for the Sushi, who initially started out as a guitarist, but when the original singer of one of his previous bands dropped out during a recording session Sushi simply picked up the mike. “I love both roles”, he says. “Actually, whenever I am playing guitar I miss singing, but I also miss a guitar in my hands when I am just singing.”

Cut to the fall of 2019. It was time to really start from scratch, to tear it up and start over again. Christoph Wieczorek (Annisokay) and co-producer Phil Sunday joined up to start rewiring Sushi’s sonic interface which would begin spitting out GHOSTKID’s anthemic data-flow. Finally, renowned producer Sky van Hoff (Rammstein, Emigrate) came aboard to hammer into shape what would become GHOSTKID’s self-titled Century Media debut.

Sushi delivered on GHOSTKID’s album with a laser-focused vision. And a lot proverbial blood on the tracks. “I am looking back to a very intense time when I learned a lot about myself”, he explains. Joining the aural fracas are Marcus Bischoff of Century Media labelmates Heaven Shall Burn on “SUPERNØVA” and the legendary genre-smasher Mille Petrozza on “CRØWN”. Upcoming are two versions of “THIS IS NØT HØLLYWØØD” – one with Timi Hendrix from Trailerpark and one with Johnny 3 Tears from Hollywood Undead on vocals.

Once you immerse yourself in the layers of noise and ambition, it’s really no surprise that Sushi has successfully morphed into the entity known as GHØSTKID. “It leaves a lot of room for interpretations while you immediately associate certain imagery with it,” he says. Warning: this is music that doesn’t merely haunt your sensibilities. It’s a full-blown aural exorcism and a deafening harmony in your head.

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